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Review | Dr. Stone: Stone Wars – Chapters 5 and 6

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This revision in Dr stone contains spoilers. If you have not seen the chapter, we recommend that you do so and then read the review again.

Stone
© US Studio / Boichi / Shueisha / Dr. STONE Production Committee

Chapter 5: “Steam Gorilla”

Dr stone premieres its fifth broadcast with a comparison of forces between the steam engine and Magma, winning this first. The basic archetype of the car is done, but they have yet to test and improve it, starting with the wheels. These are covered with bamboo cloth, mimicking the airless wheels of NASA prototypes.

Once they are ready, the elders decide not to accompany them on the journey to facilitate the journey and the next battle. Along the way, Senku comes to the conclusion that they must stop and turn the car into a tank. To do this, he creates paper by cooking herbs in sodium hydroxide, creates a shield with a wooden structure and reinforces it with plastic without solidifying. The result is a very flexible and resistant material, carbon fiber. However, the tank is single-use, a frontal attack to free Chrome, whose location is discovered by Suika in a raid.

In her cell, Chrome discovers that Tsukasa has set traps. He knows that Senku could create a steam engine at any moment. The young “scientist” makes the decision to escape only to warn his companions of the danger.

Analysis: science and determination

Stone
© US Studio / Boichi / Shueisha / Dr. STONE Production Committee

Dr stone creates an intense and perfect narrative in its fifth chapter. The entire episode revolves around the advancement of the Kingdom of Science and the scientific improvements of the car, which has just been transformed into a tank. On the other hand, the last minutes give us the enormous determination of Chrome, who breaks the expected narrative scheme and decides to save himself and others.

Along the lines of the series, and with so many elements already discussed in previous reviews of the first season, we are going to stop at the beauty and importance of some moments:

  • The scenes of the March of the Kingdom of Science are particularly beautiful and full of metaphors and suggestions. With the snows practically melted, spring and the floral explosion accompany the first tests of the steam engine. When it is time to depart, they advance with the banner of science and magnificent scenes follow one another in which a swallow goes to the Tsukasa Empire. The swallow is the bird with which Senku’s scientific revolution began, with which he discovered the formula for rebirth from stone.
  • Again, on the enemy side we have charismatic characters like Tsukasa, who guesses Senku’s ability to create a steam engine; versus filler enemies, in which repeated drawing is overused as they are all muscular men with little brains and hairstyles punks.
  • It is worth noting, at this point in the plot, the strong bonds of trust and teamwork of the Ishigami village. This allows technological improvements and ideas to flow like silk, and each of them is clear about the value that the others bring. Emotional ties also create a climate of affection and protection among the inhabitants of the Kingdom of Science. Thus, their interrelationships make us see a kind of great family.

Chapter 6: “Prison Break”

Dr stone opens a new chapter dedicated to Chrome’s escape from the bamboo prison where Tsukasa’s army held him. His captors take him for a stone age savage, and Chrome uses this to his advantage to gain space and devise a strategy. In a first attempt, he pretends that he needs to go to the bathroom and collects herbs and materials around him. However, they do not seem useful, since you cannot start a fire with such small branches.

Suddenly, an individual takes advantage of the shadows to slide one of the batteries he was carrying. With it, he decides to imitate Senku to create a corrosive acid that dissolves the ropes that hold the bars. As it needs a saline solution, it collects its own sweat, which it discharges with the battery. The plan works and he manages to flee thanks to his attention to the terrain and the surprise factor. You, a former cop, chase him until he’s cornered. Then Chrome vomits blood, tells him he has pneumonia, and infects him by throwing it away. The enemy is horrified and Chrome escapes.

At the camp, Chrome shows up and reveals to everyone how he escaped. He also confesses that what he vomited was some herbs.

Analysis: Chrome, the “scientist”

Stone
© US Studio / Boichi / Shueisha / Dr. STONE Production Committee

The sixth installment of Dr stone All the limelight returns in Chrome, from the village of Ishigami. On the way between the scientist and the sorcerer, he himself coined the expression “user of science”, which has been translated, very aptly in my opinion, as “scientist” or “scientist”.

Possibly, Chrome is one of the characters that has the most faith in Senku, (if not the most). However, the admiration is mutual, since our protagonist projects him as a partner, a alter ego his thing about the new stone age and, above all, the awareness that science is inherent to human beings and will never disappear. Chrome is genuine, he is the curious man who breaks the rules and wants to know, the first stone on the road to civilization. Therefore, the existence of this prescientist destroys Tsukasa’s utopia, since, from scratch, science always resurfaces.

In this sense, Senku feels that it is not essential and knows that Chrome has the ability to learn and contribute; He would never underestimate his lab partner. However, the enemy despises him and relegates him to the myth of the good savage. In an act of utter arrogance, the stone reborn pretend to live a time without civilization, but at the same time, from their 21st century mentality, they laugh at Chrome. This supine ignorance is a weapon that the character exploits in his favor, and in the end, he knows how to do science, strategy and theater.

Me and other aspects of the chapter

© US Studio / Boichi / Shueisha / Dr. STONE Production Committee

As we predicted in previous reviews, the explosion of new characters will enrich the world of Dr stone progressively. Today, the manga follows an interesting path in which the appearance of charismatic characters with important gifts to contribute to the Kingdom of Science does not cease.

In this chapter, we meet Yo, a former cop who does not marry with civilized methods and finds the right place in the world of stone. His irascible personality and his sense of justice, as pure as it is twisted, are quite consistent. Unlike many other characters trapped by goodness, innocence, or ideals, or characters like Hyoga, who are simply evil, Yo has the originality of being mentally unbalanced.

As for the narrative approach of the episode, the feeling is already emerging that they are slowing down the plot. On the other hand, it was inevitable. This second season is more of a necessity to close the arc of the war with Tsukasa than a true continuation of the manga’s story. (And, really, the decision is not understood).

In conclusion

Dr stone gives way to spring, to the floral landscape and to the green after the white winter. With the steam engine, the Kingdom of Science advances towards enemy territory to rescue Chrome. However, it is the “scientist” himself who makes the decision to escape and save his companions from a trap.

Without a doubt, this is one of the great moments of Chrome. In it, he shows that the enormous trust Senku has placed in him may even exceed his expectations. Far from being the princess to be rescued, or the good savage that the reborn of the 21st century laugh at, Chrome combines all her skills and proves to be a true “user of science”.

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How “Psycho” (and the fear of spoilers) changed the way movie theaters forever

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Much has been written about the impact of Psychosis, one of the most forceful works of the teacher Alfred Hitchcock and it is impossible to deny the actuality of the film in modern cinema. It has influenced filmmakers of all generations and has generated sequels, imitations and, of course, the fear of the shower and motels of those who experienced this mass phenomenon in 1960. But with his work, Hichcock not only impacted with what appeared on the screen. , but how did you decide change audience habits at the time. Or rather, how he ended the mania of being late to the movies when the movie had already started.

To understand the phenomenon, you have to know that at that time people entered the screenings when they wanted, it did not matter if the film was started. The patterns of this ritual were summed up in a once common motto that is now unknown to moviegoers of a certain age: “This is where we come in.” Throughout the classic Hollywood era, viewers flocked to a movie screening whenever they felt like it, paying no attention to the progress of the narrative. What they were doing was basically going to the middle of the movie and watching it through to the end, watching the previous newscast, the animated / comedy short that aired at the beginning, and starting the movie where they came from.

At that moment, the spectator whispered to his partner: “This is where we come in”, and then they left the room. It’s hard to believe, but it did. Until Hitchcock came along.

Some moviegoers were spellbound and immersed in the movie more than once. Although fans were already counting on the ticket price being an open access pass, many exhibitors (who wanted crowd control) and filmmakers (who wanted a captive audience from opening credits to finish) disapproved. . The directors hated that viewers barged in and they will break, or never experience, the spell and magic of the movie. Cecil B. DeMille was especially bothered by the fact that viewers, and not himself, were deciding how to experience his films.

In 1950, Twentieth Century-Fox producer Darryl F. Zanuck and director Joseph L. Mankiewicz realized how difficult it was to turn the clock on American viewers. Knowing that they had something special in their hands, they asked the exhibitors of the big cinemas that they wanted to reserve Naked eva to sign a contract that “no customer should be seated after the movie starts” and “at the end of each performance, the theater must be clear.” Since the beginning of this movie is the end, it would spoil any audience’s enjoyment not to see it from the beginning, it was clear.

But after just four days, Fox dropped the proposal. Why? Many cinemas generally attracted large numbers of pedestrians wowed by the lobby displays. Impulsive moviegoers simply they refused to wait for the next pass and they went to the nearby cinemas, which kindly let them in.

And then Hitchcock came along

It was the terrifying event of the year. 1960. Families, couples, friends, all filled the rooms, screaming and throwing themselves into each other’s arms. But this time it was going to be different. Hitchcock and the production team of Psychosis made a marketing effort (trailer and posters included) so that exhibitors they close their doors to late-arriving spectators. “No one … BUT NO ONE … will be admitted to the theater after the start of each performance of PSYCHOSIS“He read the posters, which showed Hitchcock himself pointing to his watch as if warning students not to be late for class. Of the many “firsts” films attributed to Psychosis, the change in habits was surprising.

The idea was actually from Jerry Pickman, Paramount’s vice president of advertising, who I wanted to “protect the twist and end of the story” and create the best atmosphere for Hitchcock to scare people. “The enjoyment of the movie would be diminished unless the customers saw it from the beginning,” Pickman said. Hitchcock, who was always his best publicity accomplice, followed his colleague’s plan. “I realize this is a revolutionary concept, but we have found that Psychosis it’s different from most movies. It does not improve when it is seen in another way ”, explained the director.

If you know the movie, then you know the whole plot revolves around the twist where Marion Crane is murdered at the end of the first act, and the entire movie leads to her sister and her partner looking for her at the Bates Motel. This twist leads to the even more shocking revelation that Norman Bates dresses as his mother and is the one who is killing. And of course, if you went to the movies in the middle or at the end, you would have spoiled everything.

On June 16, 1960, after an exhaustive campaign, the DeMille and Baronet theaters in New York premiered Psychosis with the edict to see her from the beginning. Exhibitors pushed audiences in and out with military efficiency (staggered schedules, every two hours for the 109-minute film). Once Alfred Hitchcock lined them up, audiences knew that the middle of the movie was no longer the place to go. Sixty years after Psycho, the guards no longer had to block the movie theaters. And today, no one in their right mind would walk into a movie theater in the middle of a screening.

A pioneer against spoilers

But that’s not all, Hitchcock was also a pioneer in spoiler prevention. A few years ago, with the premiere of Avengers Endgame, the directors of the film, the Russo brothers released an official statement: “When you see Endgame In the next few weeks, don’t spoil it for others, in the same way that you wouldn’t want them spoil it for you. Remember, Thanos still demands your silence. Marvel even went ahead and bought an emoji for the hashtag #DontSpoilTheEndgame.

But this has happened long before, at the hands of the same man who demanded to get to the movies soon. Alfred Hitchcock went out of his way to make sure everyone who saw him Psychosis they were aware that spoiling the movie for the rest was foolish. And what did you do about it? It introduced an anti-spoiler message directly into the marketing. “If you can’t keep a secret, stay away from people after seeing Psychosis“It was one of the mottos of the movie. Here you can see one of the advertising posters:

The director revolutionized film marketing with that horror play, and his efforts, of course, paid off, as the film was a huge success for Paramount. The stunts turned the thriller into an event theater, but more importantly, a director could be seen working overtime to protect the sanctity of the cinematic experience. And 61 years later, with movie spoilers rampant on the internet, Hitchcock’s pioneering efforts in 1960 can be seen today. Nobody wants to ruin the movie.

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“There is no kink like Luke, I am your father.” ‘Shang Chi and the Legend of the Ten Rings’ director claims Tony Leung plays an original villain

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‘Shang Chi and the Legend of the Ten Rings’ opens in a few months and, to this day, we had seen practically nothing. Wonderful He has taken advantage of the birthday of the main actor, Simu Liu, to surprise us all with the release of the long-awaited trailer. A cash advance that promises plenty of action, humor, excitement … and a great claim to a wacky Asian cinema as a server: the entry of Tony Leung in the Marvel Universe.

The real Mandarin?

A regular contributor to filmmaker Wong Kar-wai, Leung is portrayed as the hero’s father and also as a new wonder villain, leaving a first clue about the biggest conflict that Shang Chi will have ahead. Leung brings to life a character named Wenwu, a powerful warrior who has adopted many names over time, being also known as “The Mandarin”.

Recall that the Mandarin already jumped from cartoons to the big screen in ‘Iron Man 3’ (2013), causing a strong controversy among comic fans for the freedoms taken by those responsible for the film. Thanks to Ben kingsley Y Guy pearceMarvel and Shane Black created a huge surprise that divided the public. Now it seems that another version of Mandarin is coming to us, perhaps more faithful to the comics but it is still not so clear …

Or at least, they still don’t want to present it that way. Which is fine because the movie opens in September 3 And there’s no point in gutting it all now Destin Daniel Cretton, director of “Shang Chi and the Legend of the Ten Rings”, Wenwu is an original character created for the film although, effectively, it is linked to the mysterious terrorist organization of the Ten Rings, already presented in the first ‘Iron Man’ (2008).

“Wenwu could easily have been a heartless one-dimensional villain. Tony opened up this character to be an antagonist who has a profound ability to love.Cretton declares. Marvel Studios boss Kevin Feige adds that they haven’t looked for a “twist like” Luke, I’m your father “. Shang-Chi knows who his father is and is determined to leave that world behind before he is dragged back. “

It is funny how Marvel returns to quote ‘The Empire Strikes Back’ although this time to discard the reference; the Russo brothers acknowledged seeing the classic “Star Wars” to orchestrate the devastating ending of “Avengers: Infinity War.” Whether or not he is the true Mandarin, it is unquestionable that Marvel has succeeded in signing Tony Leung, I am looking forward to seeing what he does with the character.

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‘Shang-Chi and the Legend of the Ten Rings’: Impressive trailer for the debut of an Asian Marvel superhero

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Wonderful It has been asked at the beginning of the promotional campaign of ‘Shang-Chi and the legend of the ten rings’, the first film of the study starring an Asian superhero -Chinese to be more exact-, but now we can finally take a look in the trailer and poster of this film directed by Destin Cretton, responsible for titles such as “The Crystal Castle” or “A Question of Justice”.

A long-term project

Created by Steve Englehart and Jim Starlin In 1973, to try to take advantage of the popularity of kung fu, Stan Lee himself tried to make his leap to the big screen in the 80s with Brandon Lee as the protagonist, but it did not take off until recently with Simon Liu in the lead role.

The Avengers Unite! In what order should you watch all the movies in the Marvel Universe?

The story of ‘Shang-Chi and the legend of the ten rings’ will begin in San Francisco following a seemingly normal person but without a fixed course in life. Of course, his past is much less ordinary, as he was trained by his father to succeed him in his criminal affairs, but upon discovering it, his son decides to follow a different path.

His father’s character has been created specifically for the film and will be played by Tony leung. Of course, be very careful with him, because from Marvel they already warn that he has received different names over the years and you may know that of The Mandarin, one of the most mythical villains of the company and whose name had already appeared previously. in the MCU….

Along with Liu and Leung we will also see in ‘Shang-Chi and the legend of the ten rings’ Awkwafina, Michelle Yeoh, Fala Chen, Florian Munteanu and Ronny Chieng. The September 3 We can check the result, since that is the date chosen by Marvel to release one of the most anticipated films of 2021.

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