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Resident Evil Village: The Evolution of Lady Dimitrescu and Her Daughters



Alcina Dimitrescu, nearly 10 feet tall and better known as Lady Dimitrescu, became an instant worldwide phenomenon when she was revealed to be one of Resident Evil Village’s top villains.

Even without her fierce claws, Lady Dimitrescu’s size is so overwhelming that any man will feel weak and small when confronted with her, and Village’s main protagonist Ethan Winters is no exception. A humanoid villain of this size and power is something we haven’t seen before in Resident Evil or any video game franchise.

Today, we can exclusively reveal as part of IGN Firts (which will be packed with content about Resident Evil Village during the month of April) a never-before-seen concept art for the new favorite internet video game character, Lady Dimitrescu, along with her three daughters. .

Art director Tomonori Takano was responsible for the design of Lady Dimitrescu. Responding to high demand from fans, he previously announced the height of this fearsome character. Although the staggering 2.9 meters include her high heels and wide-brimmed hat, Lady Dimitrescu still easily exceeds the height of any living human being. However, some of the tallest people in recorded history get close enough to give Lady Dimitrescu’s height a sense of reality, making her even scarier.

But what about your shoe size? We asked Takano to measure this as well, and he came back with impressive results. Lady Dimitrescu’s shoe size is 17.3 inches (44 cm), which is almost double the average size for women’s shoes. It also surpasses Jeison Rodríguez Hernández’s Guinness World Record for the world’s largest feet by almost 4 centimeters. Takano designed Lady Dimitrescu’s shoes based on an actual pair of high heels, which he digitally scanned and resized to match the giantess’s formidable height.

But we didn’t go to Capcom headquarters in Osaka just to talk about feet. Along with director Morimasa Sato, Takano told us how she came to be the domineering Countess of Castle Dimitrescu, and the two were overwhelmed as her creation became an internet phenomenon even before the game was released. “We intentionally made the character design a little more quirky than in Resident Evil 7, but no, we didn’t see it coming,” Takano laughs.

Sato mentions that creating characters that leave an impression was a theme of the game from the beginning, and the reactions to Lady Dimitrescu’s reveal assured him that this had been the right choice. “The core game concept of a village setting was decided in the early stages of development,” says Sato. “After that, we started thinking about the characters. To create an attractive city with a sense of place, the characters that live there are extremely important. For the main enemy characters, we thought about the area each would be in. The kind of experience they could provide. The approach of starting with the characters and building an experience from them may seem similar to Resident Evil 4. “

Also set in a city with a variety of locations, Resident Evil 4 is loved by memorable characters like Bitores Mendez and Ramon Salazar. “There are quite a few other characters with a similar impact to Lady Dimitrescu in the Village, so you can expect that,” says Sato.

Lady Dimitrescu may not be the only villain in the Village, but according to Takano, her design dates back to the beginning of the project. Remember how the team started prototyping the character. “We reused Mia’s character model from Resident Evil 7 and made her wear a dress and a hat,” she explains of her first tests. “I thought this would be enough to give it a ghostly quality, but we couldn’t make it feel terrifying. So we decided to make the character model much bigger. That was the beginning of Lady Dimitrescu. ” The art director continues: “I drew a piece of concept art in which she leans through a door. That’s when I felt like this was going to work. “

From there, the team created an area and experience to match the newly designed villain, which became Dimitrescu Castle, a gothic vampire castle. “The original concept was a castle populated only by women,” recalls Sato. “We tried a lot of different things to make the countess scary and feel like a boss character. There were also ideas to make her more creature-like, but in the end we felt that an imposing woman was the simplest but most powerful thing we could do. “

Lady Dimitrescu is not just a tall, domineering vampire-like woman. Her fashion was inspired by styles from the 1960s, and Takano hopes this will set her apart from other gothic villains. “I felt that just doing a gothic aesthetic would be a bit lacking in originality, so I wanted to add a modern idea to that premise,” explains Takano. “We look at the fashions of the time with actresses like Audrey Hepburn and The Addams Family. We use these fonts as suggestions to create a less conventional Gothic setting. “

Lady Dimitrescu is not the only fatal woman stalking Ethan in the castle; his three beloved daughters also haunt him. Bela, the eldest daughter, is calm and has a strong head on her shoulders. Cassandra is a sadist who likes to kill. Daniela is the youngest daughter and the craziest and most delusional of the three. “Ethan has a family that he’s trying to protect, so we wanted to have a family for Lady Dimitrescu as well, to provide a contrast,” explains Sato. “The concept started as a castle with a hundred witches inside, but that was difficult to implement in a video game format, so we ended up doing it that way,” says Takano. “But actually, when you play the game, you can see that the scenario is still pretty close to that idea. All types of enemies within the castle are women. With Lady Dimitrescu as the cult guru, we have created this hierarchy of women. Men. All these women drain his blood, so you could say that he is the opposite of Dracula. “.

“Outside in front of the castle, you can see bodies that have had their blood drained, that look like skinny scarecrows, and they are all men. It is an environment where women are very strong ”.

This horror experience in which a relatively weak male character is terrorized by towering women seems to be inspired by a type of sadomasochistic fantasy rarely seen in video games. Within the Resident Evil series, Lady Dimitrescu and her three daughters are a threat like we’ve never seen before.

To guide the series in bold new directions, Sato says that in the planning stages he encouraged the team to try as many unusual ideas as possible. “We are not the type of team that starts with a niche idea and gradually begins to expand,” explains Sato. “When we try new ideas, we start by looking for something extreme. As we go along, the idea usually begins to deviate from pure horror. So, in the end, we have to return the experience to horror. “

According to Takano, the hundred witches in the original concept were to be mostly naked. A giant countess and her three creepy daughters is what that idea became once the team “threw him back to horror.”


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‘Da 5 Bloods’ should win the award for best soundtrack of the year



On April 25 we will meet the winners of the ninety-third edition of the Oscars. The winners will be chosen thanks to the vote of all academics, a process that, it must be remembered, is not the same employee when choosing the nominations.

In the case of the category of best original soundtrackIt is the Music Branch (musical branch of the academy, that is, those composers, musicians and lyricists with the right to vote) who chooses the Oscar finalists.

That is why the nominations have always been more important and relevant to me than the winners; This is a recognition obtained thanks to their colleagues, which was evident in some of the mentions over the years (the case of Alex North or Thomas Newman, composers respected by film music composers but who fail on the spot. time to be chosen to win the award.).

This time, we have a eclectic selection of scores, which although it is far from representing the best of the original soundtrack in 2020, does deserve respect and consideration.

Terence Blanchard deserves to win the Oscar this year … but will probably lose

The score that should receive the award is “Give 5 Bloods”. Brothers in Arms ”, composed by Terence blanchard. Nineteenth professional collaboration with the director Spike lee, Blanchard finally enjoys the merit that his work deserves. You can listen to it on Spotify.

After a (belated) first nomination for “Infiltrated in the KKKlan” (“BlacKKKlansman”), Lee’s new film allows him to unleash his jazz skills (remember that Blanchard is one of the highest rated trumpeters of recent times.) to transfer to an orchestra with an American tone. Get a narrative staging that is sometimes reminiscent of the long-awaited master Jerry Goldsmith and culminates in moments of triumph, perhaps reminiscent of the best John Williams.

It sounds stale, with a type of music rarely found in movies these days.. It is an admirable score and has the problem of sharing footage with a series of Marvin Gaye songs that do not coerce his sense of heroism.

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Additionally, this work by Blanchard has garnered the film’s only Academy Award nomination. This data is interesting to say the least and leads to the idea that the Music Branch was very clear from the beginning that this score deserved to be considered one of the 5 of the year.

The works that have only deserved one nomination in this category are usually works of enormous quality that demonstrate that a score can stand out despite the film that accompanies it, is the case of ‘El Bosque’, ‘Resistencia’, ‘Los Girasoles’ or ‘El Violín Rojo’.

Except for the last title, they do not usually come out victorious since they do not have enough support to win the award, since this award is usually received for other circumstances (as an accompaniment to the best film of the year, as a drag from other technical awards or artistic and regulars as consolation, especially to the nominees for best picture).

It’s rare for a movie to win only in the Best Original Score category.. In any case, it is extraordinary that the Academy has recognized Terence Blanchard as’ Da 5 Bloods. Hermanos de Armas’ is one of the best movie soundtracks of recent times.

The forecast: “Soul” will win

Everything indicates that the winner will be ‘Soul’, a work already commented on when reviewing the most relevant soundtracks of last year. Recall that the original score of the latest Pixar film is written by both the duo Trent Reznor and Atticus Ross as for the jazz player Jon batiste but they did not work together to develop it.

This fact seemed to take its toll at the time of the nominations, through a disqualification (something that has happened previously with soundtracks of this type) but the Academy has seen with good eyes (and ears) the musical work, and the soundtrack has become The favorite after winning at the Golden Globes, the BAFTAs and the Critics Choice Awards, something that had not happened with an animated film since ‘Up’, from the same studio.

‘Soul’ is receiving these awards because it has an advantage in its favor and it is the jazz genre has an important narrative weight within the film. Still, the work on the soundtrack is scarce as you have two parts each working on their own.

Reznor & Ross create a strange electronic pastiche for sequences that take place in the afterlife (or more here) and Jon Batiste enhances the jazzy nature of the protagonist with short, dynamic notes of jazz in the real world. You could say that “Soul” is being rewarded by music that on certain occasions it is diegeticIn other words, it is heard by the characters in the film and does not belong in the score.

And that is One of the best ways to win the Oscar for best original soundtrack is usually to accompany a movie where the music is relevant.Check out the aforementioned “The Red Violin” or “Around Midnight” by Herbie Hancock (a score full of pre-existing songs that outrageously snatched the award from “The Mission”).

Everything indicates that Reznor & Ross will win their second statuette after ‘The Social Network’ and Jon Batiste (who is also the leader of the famous television show ‘The Late Show with Stephen Colbert’) will enter this select club of winners.

Much more interesting would be to award Reznor & Ross for their other Oscar-nominated soundtrack: “Mank.” For this work, both artists have had to leave their comfort zone and with the help of the orchestrator Conrad Pope and the saxophonist And Higgins, I have recreated the world of Hollywood of the 30s 20th century.

Composers abandon electronics and have produced an orchestral soundtrack whose starting point is Bernard Herrmann (composer of ‘Citizen Kane’) but that ends which unfolds through a beautiful romantic waltz and a series of jazz tunes. It is evident that Reznor & Ross lacks tables to be able to develop this score narratively and although the final result is irregular, there is no doubt that it is a soundtrack worthy of admiration and that shows that they are capable of surprising in other areas. and genres.

However, the score has little chance of winning as they compete against themselves for “Soul”. It is often said that when an artist is nominated twice, it is more difficult to win because the votes are divided. In my opinion, I think this is very rare, since the ballots for the best original soundtrack do not include the names of the candidates and have also won the composers John Williams and Alexandre Desplat, in 1977 and 2014 respectively, even with this circumstance.

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James Newton Howard He is one of the favorite songwriters of recent times, especially as a result of his collaboration (now non-existent) with M. Night Shyamalan. He is a solvent, interesting film music composer, with a professionalism and elegance available to few. Therefore, it is still surprising, and much, that at this point in the film, the composer I still don’t have an Oscar for his good craft.

With ‘Noticias del Gran Mundo’ he has a new opportunity, the ninth of his career (two of them were for best original song) but everything points to it being empty. Newton Howard is one of the Music Branch’s most beloved and respected composers, and sometimes he doesn’t need a blockbuster movie to see his work rewarded (the aforementioned ‘The Forest’ or ‘Resistance’).

With permission from “Hidden Life”, “Big World News” is his most important job in years and it has ended up getting nominations even for the Golden Globes and the BAFTAs (something unusual since Newton Howard is not so relevant for these awards).

Personally, it seems like a correct work but it falls a bit short within the composer’s ability. His music for the end credits is extraordinary but I wish the rest of the score had been just as risky when it came to musicalizing the western and the adventure, something the composer has previously done with better results in works like ‘Oceans of Fire’ or ‘Wyatt Earpp’, a fundamental soundtrack of the genre in the 90s.

Many wonder how James Newton Howard could go home empty again and the answer is obvious: needs a major award-level movie to win. He has the respect and professionalism to do a good job and be nominated but he needs a powerful film capable of generating conversation on the subject of the awards, something that the last candidate this year does have.

The great rival of the Pixar and Disney movie

“Minari. Story of my family” by Emile mosseri it’s a atypical soundtrack, strange and that has reached the nomination pushed by the great potential in terms of awards that the film has had.

Mosseri must be the first surprised to have landed an Oscar nomination, since this very young 35-year-old composer, Berklee graduate and leader of an independent marching band, has hardly worked in the movies. This is his fourth film and it develops an interesting potential that I am proud that the Music Branch has received and awarded a nomination.

The music of ‘Minari’ stands in stark contrast to the idyllic tone that Lee Isaac Chung seeks to capture with his images. This is an atmospheric soundtrack in new age tones that can feel fresh and cozy at the same time. It even develops an alienating tone within its seemingly simple instrumentation. It is a very suitable sound for what the narrative of the film intends.

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Mosseri builds his score from two beautiful songs sung in Korean that return us to a sound more typical of the 80s / 90s, similar to the works of Angelo Badalamenti at that stage.

It is a curious soundtrack and it has been lucky enough to be accompanied by a film that has enormous potential in terms of awards, hence its recognition since in other circumstances it would surely have gone unnoticed. Right now is the only alternative to competing with “Soul” for the award in this category.

It should be noted that other works that were in the preselection such as the extraordinary ‘Blizzard of Souls’ by Lolita Ritmanis have been left out, while works as enjoyable as’ The Call of the Wild’ by John Powell or ‘The Incredible Story of David Copperfield ‘by Christopher Willis, they weren’t even on the list.

It is worrying that, more and more, the same names and titles are repeated in the different awards. Look forward to the times when, despite having fewer ceremonies, there were more opportunities to get creative with the music on the soundtrack.


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why the spin-off with Greta Gerwig and Meg Ryan didn’t come to fruition



It took seven years since the completion of “How I Met Your Mother” until it was confirmed that we will have a sequel directed by Hilary Duff telling us the story of how he met the father of his son. However, it has not been the first attempt to try to take advantage of the success of the series starring Josh radnor, since already in 2014 a spin-off could be launched that was going to have the participation of Greta Gerwig and Meg Ryan.

A project that seemed promising

The origins of “How I Met Your Dad” date back to February 2014, the month before the end of “How I Met Your Mother” divided fans of the series, and some of them hated it with a passion. This was likely one of the reasons CBS didn’t work too hard to move the project forward, but Let’s go over the details a bit earlier.

Carter Bays and Craig Thomas, creators of ‘How I Met Your Mother’ were behind her, participating in the writing of the pilot episode script with Emily Spivey, creator of the comedy ‘Without hitting an eye’, also counting on the collaboration in that facet of Gerwig , who was starting to make a name for himself in Hollywood at that time thanks to his participation in ‘Frances Ha’.

The episode was filmed with Rob Greenberg, signer of seven episodes of ‘How I Met Your Mother’, behind the cameras and telling the story of Sally (Gerwig), a young woman somewhat lost in life who is thinking of getting divorced despite having been married less than a year ago, getting advice from his friends on how to proceed.

The reason for his “death”

The cast of “How I Met Daddy” also featured Drew Tarver, Nicholas D’August, Andrew Santino and Ryan, who was going to act as the narrator in the series, that being one of the main points in common with “How I Met Your Mother.” Everything seemed to go smoothly, but in May of that year it became known that CBS had decided not to give the green light to the project, but the reason was something unexpected: Bays and Thomas refused to reroll the pilot, which ended up leaking long ago. later.

Of the chain they highlighted that there were elements of the pilot that did not work, so they wanted to see if they could solve the problems, following a bit the same formula as with ‘The Big Bang Theory’, whose premiere was postponed a year to re-record the episode, changing from step to part of its cast.

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CBS’s refusal to go ahead with the material they had allowed 20th Century Fox, producer of the series, tries to find a new home for the project. At that time there was talk of a possible interest on the part of Netflix, NBC and FOX, but an agreement was not reached, the contract with the actors expired and Bays himself confirmed in July through his twitter account that the project was dead.

In this way, Gerwig was free and had plenty of time to focus on ‘Lady Bird’, her acclaimed first film as a director that she dedicated herself to writing. I confess that I am curious to know what would have come out of “How I Met Your Dad”, but not enough that in return we probably would have run out of the movie starring him. Saoirse Ronan.


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Trailer of ‘LOL: if you laugh, you lose’: Amazon announces the premiere date of the comedy program presented by Santiago Segura



Ten humorists and forbidden to laugh. With this premise that seems the reverse of the mythical ‘Don’t laugh, it’s worse’ is presented ‘LOL: If you laugh, you lose’ the new Amazon Prime Video comedy program whose The premiere will take place on May 14 as revealed in its official trailer..

Presented by Santiago Segura As masters of ceremonies for this game, Yolanda Ramos, Sílvia Abril, Rossy de Palma, Paco Collado, Mario Vaquerizo, El Monaguillo, Edu Soto, David Fernández, Carolina Noriega and Arévalo will be the ten comedians who will have a double mission: make others laugh but not smile.

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TO International format based on Hitoshi Matsumoto’s Japanese original and of which Amazon has already developed several local versions in countries such as Italy, Germany, Mexico, Japan or Australia, among others.

Miguel Martín is the showrunner of the series in which Santiago Segura will challenge these comedians for six hours, with the collaboration of Cañita Brava and Xavier Deltell, to see who manages to stay serious until the end by competing for a prize of one hundred thousand euros that will be donated to an NGO of their choice.


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