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High-Rise Invasion: First Look At New Netflix Series

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Netflix He is always willing to please his subscribers, even anime fans, and that is why in recent years he has decided to produce animated series collaborating with some of the main studios in Japan, such as MAP, Production I.G, e Bones, Just to name a few. This association has led to a significant increase in souls arriving on the platform.

Last October, the streaming giant, on the occasion of the Netflix anime festival, has announced numerous titles coming this year, including the recent Thus spoke Rohan Kishibe (retrieve our review of Thus Spoke Rohan Kishibe). Our attention, however, was focused on High-rise invasion, adaptation of the manga of the same name by Tsuina Miura and Takahiro Oba, which was presented as a violent and brutal anime. A few hours ago High-Rise Invasion arrived on Netflix and after seeing the pilot we are ready to tell you.

The mask

The opening moments of High-Rise Invasion are enough to make clear just how violent and twisted a series is.: Through a particular image filter that evokes a videotape, a man in overalls is seen extracting a katana from the skull of his victim, while a pool of blood is spread on the floor.

The shot moves behind the killer and when he turns around he reveals a white mask with long eyes and a smile that is hardly reassuring. After the initials, we find Yuri honjo high on a roof, desperate because she can’t contact her parents, but luckily her brother answers the phone Rika. With this file we can find out what is happening: Yuri was at school, when suddenly she found herself in a world of skyscrapers alone, which, however, have blocked access to the lower stairs and do not have elevators; there is no way to get to the ground floor; the roofs of the various buildings are connected to each other by long wooden bridges. Masked people are not ordinary killers as they are not tasked with killing their victims, but instill fear and despair, to the point of tempting them to commit suicide; only when the victim does not want to kill himself can he be killed. Rika tells her sister to keep calm, because he too is trapped there and they will be able to meet soon: he just has to get to a tall building, which is located in the center of the skyscraper city. The situation degenerates when the man with the katana reaches Yuri and destroys the telephone, the only means of communication he had.

The girl, scared, crosses the bridge, but is joined by her executioner; luckily she is saved by two policemen, but her happiness does not last long. One of the two agents is actually a stalker who, after killing his colleague by making him fall from the ceiling, wants to abuse the protagonist.

In the distance, a masked sniper observes the scene and decides to “save” Yuri. The student manages to escape, after recovering a pistol from the policeman and starting a fire with her body, to generate a blanket of smoke to hide behind.

Without going any further, suffice it to say that Yuri, after confronting and defeating a masked maid, discovers that the masks are actually electronic devices that control people’s minds, inciting them to kill. The young woman realizes, therefore, that behind the masks there are no monsters with human features, but real human beings.

The only way you can escape from that crazy world is a helicopter that can only take one person outside. At the end of the episode, Yuri meets a girl like her, suggesting that in that reality there might be other survivors.
Net of an increasingly urgent and frenetic pace, we must highlight some obvious writing problems, very conscious of having seen only the pilot. Once the vision was finished, numerous questions piled up that in one way or another prompted us to continue the vision, hoping to receive an answer. In fact, there is a strong desire to find out exactly what world Yuri is in, how he came to it, who are the masked men, what are the masks, who is behind everything, and why does he act this way. These are just some of the questions that have arisen, but there is one in particular that stimulated us more than necessary to complete the vision: when the protagonist flees from the masked sniper, he is seen holding a photograph of the protagonist with “For my older brother, Yuri“.

We do not exclude that there may be some kind of link between the girl and the sniper, who may have come to that strange world years before, perhaps as a victim or perhaps for work, and found a mask, but has not gone completely mad; This would explain why when he had both the student and the stalking policeman at gunpoint, he wanted to kill the second, perhaps to protect or help her, and to avoid being discovered by those in charge of everything, he continued to hold her at gunpoint.

In short, the open questions are numerous, but we fear that in 12 episodes (at the moment we do not know if there will be a second season) we will not be entirely satisfied. The thing that convinced us least is the absence of a real plot, at least for the moment: High-Rise Invasion seems to focus solely on the protagonist’s attempt to escape the attackers and we would not want him to focus only on this because it is the premises for an interesting series, with a few twists, they all seem to be there.

What we have not been able to fully accept, leaving us a bit confused, is Yuri’s sudden and sometimes mindless evolution we’ve seen since the pilot. In short, the young woman goes from being scared by everything in front of her, to putting aside her fears and finding the courage to continue, even killing a person or burning them in order to survive.

Furthermore, some reactions seemed out of place, such as when she meets the masked maiden and is impressed by her physical abilities: instead of fleeing or reacting in some way she watches the enemy’s movements with fascination. We would have preferred to witness Yuki’s development during all 12 episodes, in order to have a well-defined and more appreciable heroine. In addition, we note some moments that give the production light cheerful tones: situations that cushion the tension and ruin a title really revolves around suspense and violence.

Katanas, rifles, scythes

As for the plant, High-rise invasion is more than pleasant. The guys in the studio Zero-G they used a line that is kept mostly clean, except at times when the shot is moving away; the CGI is reduced to elements of the scene, like the helicopter, and it adapts well to the manual stage, going almost entirely to the background.

Even if there are no fights at the moment (but given the type of production we think they will be absent), the animations are fluid, and they manage to give the appropriate thickness to the most violent scenes, thanks also to the good visual representation. , like when masked men chase their victims, or when people fall from the roof, convinced that they will be saved, because smash to the ground.

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‘Shang-Chi and the Legend of the Ten Rings’: Impressive trailer for the debut of an Asian Marvel superhero

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Wonderful It has been asked at the beginning of the promotional campaign of ‘Shang-Chi and the legend of the ten rings’, the first film of the study starring an Asian superhero -Chinese to be more exact-, but now we can finally take a look in the trailer and poster of this film directed by Destin Cretton, responsible for titles such as “The Crystal Castle” or “A Question of Justice”.

A long-term project

Created by Steve Englehart and Jim Starlin In 1973, to try to take advantage of the popularity of kung fu, Stan Lee himself tried to make his leap to the big screen in the 80s with Brandon Lee as the protagonist, but it did not take off until recently with Simon Liu in the lead role.

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The story of ‘Shang-Chi and the legend of the ten rings’ will begin in San Francisco following a seemingly normal person but without a fixed course in life. Of course, his past is much less ordinary, as he was trained by his father to succeed him in his criminal affairs, but upon discovering it, his son decides to follow a different path.

His father’s character has been created specifically for the film and will be played by Tony leung. Of course, be very careful with him, because from Marvel they already warn that he has received different names over the years and you may know that of The Mandarin, one of the most mythical villains of the company and whose name had already appeared previously. in the MCU….

Along with Liu and Leung we will also see in ‘Shang-Chi and the legend of the ten rings’ Awkwafina, Michelle Yeoh, Fala Chen, Florian Munteanu and Ronny Chieng. The September 3 We can check the result, since that is the date chosen by Marvel to release one of the most anticipated films of 2021.

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The eight nominees for best picture at the Oscars 2021 ordered from worst to best

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This Sunday, April 25, the winners of the Oscars 2021 will be announced, an edition of the most atypical fruit of a year of cinema very marked by the delays caused by the coronavirus. However, there is quite a level between applicants and below I’m going to go through the eight nominees for best picture from worst to best In my personal opinion, although this time it might be more accurate to speak of less good than worse …

“The Chicago 7 Trial”

The second feature film of Aaron Sorkin It is based on a script according to what was expected by its manager and the great work of its wide cast. Unfortunately, behind the scenes you can see that there is no one with enough experience to fully squeeze this stuff out, as it feels more functional than anything else, unable to really elevate the true story beyond the strength it already has in itself. . herself.

Criticism in Espinof

‘Missing’

This is what the script really falls short of. I understand that David Fincher, who embroiders it again in relation to the staging, would like to make his father’s libretto come true, but there the film wants to cover up too much and loses its shine, something that manifests itself with the passage of time from its viewing. Fortunately, we also have an extraordinary old gary to qualify that weak point of “Mank”.

Criticism in Espinof

“A promising young woman”

A twist on Rape & Revenge cinema in the #MeToo era. Personally, I think the best of the function is in a very successful Carey Mulligan in the lead role and I appreciate how playful she can be, often seeming like something she doesn’t end up being. Of course, there is mostly a detail from the script of Emerald fennell That takes me out of the movie a bit.

Criticism in Espinof

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“Nomadland”

The great favorite of the Oscars for months that maintains the formal bet of Chloe zhao at the top “The Rider” to explore the lives of homeless people who have disconnected from the prevailing lifestyle. In it, the work of a wonderful Frances McDormand, a true axis of a minimal story that is based more on the sensations it transmits to the viewer than on a refined narrative.

Criticism in Espinof

‘The father’

An approach to a very widespread reality that the cinema rarely talks about: what to do with our elders when they are no longer capable of fending for themselves. Of course, here the protagonist falls into a sensational Anthony Hopkins like a man affected by Alzheimer’s who is increasingly disconnected from reality. It is true that its theatrical origins are noticeable, but also that it knows how to use all its ingredients in search of the same goal, also leaving the viewer with a bad body but never forcing anything, and even flirting with the thriller.

“Judas and the black Messiah”

It is true that Daniel Kaluuya and Lakeith Stanfield They are the ones who shine the most in the film, but also that this could have been a monotonous biographical film and when the moment comes it is the gripping portrait of a betrayal of a person who begins with clear things and then ends torn by the need to prioritize his own survival. In addition, the film balances the role of both very well, thus offering a much richer portrait of what happened.

Criticism in Espinof

“Minari. Family history ‘

A story that starts from the everyday to explore what life is like for a Korean family in the United States, something that the film knows how to take advantage of to achieve its own entity instead of resembling similar proposals but with other nationalities. The growing dramatic element is very well managed, knowing how to enhance its most emotional side without resorting to unnecessary overloads or betraying its characters.

Criticism in Espinof

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“Sound of metal”

There is much to celebrate in a film that in other years would never have been nominated. From the exceptional interpretation of Ahmed rice as a musician who is going deaf, a situation that he is unable to accept, even the great use of sound to illustrate that progressive deterioration of the protagonist, but also of the community of which he is part during the second act of the film.

There will be those who expect a much more forceful proposal for the type of music that its protagonist plays, but that does not stop being a starting point that the film itself disassembles seeing how his day to day is. In this way, the protagonist’s transition is smoother, first finding a good ally in Olivia cooke, but then a much more exhilarating travel companion in a sensational Paul raci.

Criticism in Espinof

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‘Ginny and Georgia’ will have season 2: Netflix announces the renewal of one of its biggest hits of 2021

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“Ginny and Georgia” was for several weeks among the most viewed titles of Netflix, but the platform had not commented on its continuity until now. Luckily, his fans can now breathe easy, as the platform has made it official. its renewal for a second season.

The series created by Sarah Lampert tells the story of a thirty-year-old mother and her 15-year-old daughter who have just moved in with the hope of starting a new life, and also more lasting, because until now they have not stopped moving …

They sang to me

Netflix has announced the news accompanied by a video with statements from several of the protagonists from “Ginny and Georgia”. The truth is that it was sung that it would have a second season, but it never hurts to have the official confirmation. That there was always the fear that the controversy with Taylor Swift would have some kind of consequence …

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Brianne Howey. Antonia Gentry, Diesel La Torraca, Jennifer Robertson, Felix Mallard, Sara Waisglass, Scott Porter and Raymond Ablack they will return to the characters they played in the first season. Now we have to wait for more news, because there is not even a date for the start of filming for the second batch of episodes, so let’s not even talk about a possible release date for now.

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