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Fargo: secrets and success of an anthological fairy tale about reality

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Almost 25 years have passed since the period that marked the launch of Fargo in theaters and that allowed everyone to get to know the Coen brothers’ cinema. Thanks to the peculiar use of black humor in an ambiguous, dense and nuanced context, the two directors managed to dedicate themselves to the gaze of the general public as great authors, earning a prominent place among the leading filmmakers of our time. Fargo, with its atmospheres and its multiple levels of interpretation, immediately made it clear to the audience that under that veil of references to the grotesque and situations bordering on bewilderment, something very different was hiding: a constant dialogue between themes and elements intertwined by the thin thread of violence, which allowed us to face the contrast between the real and the unexpected without frills and with a ruthless rawness.

These fundamental points, peppered with clear and recognizable stylistic elements, were the foundation of the FX network, when it ordered the creation of a television series inspired by the Coen feature film in 2014. From the skillful hands of Noah hawley so it came Fargo – The Series, a work that has upset television series reaching the highest peaks of the medium. The showrunner, who more than anyone else seems to have understood the spirit behind the creature of those who in the meantime have become two giants of cinema, has created an anthological series that does not intend to follow the Coen trait, but to exploit it to move. towards a new design. Although far from the facts of the movie, the series takes up its spirit in a more than faithful way, even evolving its language and elevating it in all its parts.

Over the course of three seasons – pending Fargo’s fourth season, now close to its arrival in Italy – FX’s production has acquired more and more allegorical charge and narrative depth: focusing the analysis on the complex relationship the show has with the work. reference and delving into the new developments that led to its success, it will be possible to see much more secret and disturbing interpretations of its surface.

A blow to the heart … of the narrative

From the first scenes, the entire narrative of the feature film and the series has been similar in its most direct and obvious aspect: a history of the real, the common and the banal, that suddenly goes crazy faced with an absurd fact, an unexpected turning point.

The whole merry-go-round of meanings revolves around the construction and search for the meaning of this event. Fargo: truth and reality are always present, even in the face of the unimaginableBut they lead the common man to distort his own nature in a possibly favorable situation. At that moment, where all confidence falters and all logic begins to change, the story of the common man becomes a criminal epic. And the series proposes this theme again, altering times, spaces and contexts

“Fargo is not a place, it is a state of mind. It is a true crime story where reality is stranger than fiction and the good guys have to face something horrible “. Hawley, as well as the Coens, highlights the importance of the concepts of truth and history at the base of your narrative. We do not look back, we seek new answers. Even without their parental minds, the world of Fargo works and moves freely between its lights and its horrors, showing the distinctive and recognizable elements of that cinematographic world without ever revealing itself as its real representation.

While playing with references and quotes, the only Red thread that unites the opera, the series and its various seasons is the history of crime in the American Midwest, with special emphasis on that “True Criminal History”. Behind these words lies precisely that conflict between good and evil, between truth and history (or story) that intertwine and entangle each other, fighting without hindrance.

In fact, each story manages to appear similar in atmosphere, but always different and evolved in what it communicates: if the first phenomenal season focuses on conceptual references to the film and on providing a solid foundation for the dialogue of later stories, concentrating the dominance of the scene in a few key characters, and the second one moves away adopting a choral tone. style and more “absurd” – net of the interesting temporal link with previous episodes.

A rudimentary form of evolutionary thesis based on antithetical elements, which with the third season becomes a synthesis: after two excellent seasons, the last episodes of the anthological series perfectly close the circle and allows us to fully understand the complex design of Hawley and associates.

Contrast: key to understanding

Excluding the analysis and spoilers of the plot, it will be easy to guess that the true engine of the narrative resides in the individuals who inhabit the stories and the world: the characters of Fargo, each with their own character, represent the only element directly observable by the viewer to receive what happens in the right way. These subjects live the contrast, they are part of it and at the same time are consumed by it: if on the one hand there are characters of strong moral value, with nothing to hide, on the other the anarchist forces are constantly moving under the track. , mysterious and inscrutable.

However, the most disturbing and fascinating detail lies exactly in limbo between the two sides. the element that takes the dialogue of the show to another level is represented by the subject reacting to the unexpected: the ordinary being who, faced with the randomness of fate, is forced to face the consequences of his choices and avoid everything else.

Following the course of their misadventures in their respective narrative arcs, three cycles are configured that are repeated in different ways: the “good guys” usually arrive at their own truths or a resolution of their conflict, but never to a true victory – just think of Molly in the first season, her father in the second or Gloria in the third.

The “mysterious” are configured as pure agents of chaos, with goals for themselves, without ever giving real answers to their work; the “protagonists”, making an extreme decision, cherish the idea of ​​getting away with it but end up paying the bill for a fortune they don’t deserve – see Lester in season one, Peggy in season two or Emmit in season three.

Observing with special attention, the unexpected can be considered as a character above suspicion: moving through the darkness of the world, relying on its secrets and the most mysterious characters, this dark force often takes over in the twisted intrigues of the events narrated.

Of violence, truth and lies

In fact, faced with the absurdity of the violence that hits the characters and the viewer himself, it is inevitable to wonder where the sense of reality lies in events that seem crazy and senseless. Everything acquires increasingly macabre contours for the characters themselves, who find the affection of their loved ones as the only refuge from the chaos. But, as unthinkable as it may be, violence also has its logic: act on the basis of the truths that the characters tell, those that they tend to hide and those that they try to make credible in the eyes of others. As the characteristic poster of the first season of the series shows, it is the dialogue between the truths of each one that makes the intertwining of Fargo, bringing to light realities much more absurd than the lies that the characters try to make you believe.

However, as already mentioned, the violence maintains its link to reality despite the events turning incredible. On the one hand, it represents the only instrument of effective liberation of being; on the other, it is fragile when fate claims those who have used it. In the world of Fargo there’s an inescapable sense of justice that strikes coldly that it is not worthy of the peace and success obtained through certain means.

The above is linked to these concepts dialogue between truth and lies: already in the first season this is the engine that, as in the film, leads Lester to his actions, since he is strong in his own truth and with the intention of making it come true. In this, the second season deals with the subject in a much more direct way, staging a real “language problem”: the constant alternation between what is said and what is thought.

The third, on the other hand, aims to exploit it to make any natural element complex, highlighting how the context has been so changed by the stories that the truths, however easily detectable, are considered absurd.
In a world like that of Fargo, who trusts so much in beliefs and truths, anyone can be considered correct regardless, and for this reason the full understanding of the truth is always more complex than it should be. As the fish imply, who says you are the wrong one? Who says that you are not right and others are wrong?

The importance of the Order

If something always comes up, in every season of the series, it is the absence of control. Characters are incapable of being masters of themselves and, in fact, always encounter external and violent forces that alter the course of their actions. Hawley understood how important the illusion of control is to a character, and therefore also to the viewer: order is what human beings need the most and, if he is absent, it leads him more easily to get lost.

That’s why all the characters in Fargo they constantly try to reorganize and reorganize to restore compromised balances. It may seem that chance acts without criteria, that fate has no answers and that is where man trembles at his own uncertainties. Rather than wonder if it is possible to decipher the meaning of a world devoid of truth, the series surpasses itself when it shows that, beyond the questions and perplexities, reality remains based on the search for order.

Even in the face of absurdity, order leads man to move in reality and, therefore, to continue interacting with it, seeking its meaning. The idea of ​​Hawley and his creature may seem wildly selfish, but just like in a fairy tale, it shows their cold morality: we need things to make sense and we want realitybut we are always too interested in stories to fully understand them.

Storytelling proves to be a very powerful tool, therefore, that, despite the absurdity of the case, leads the viewer to stay within the narrative, focused and hungry for meaning. In this, the police and law enforcement officers embody order in a world full of fragility, but also the viewer, with their questions, their truths and their wishes. Therefore, despite everything, there will always be a “policeman” in Fargo.

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One Piece reveals new results for its popularity poll

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The Serie One piece announced the provisional results of his first world survey Character popularity ratings on a live broadcast on Saturday (Japan time). The general ranking of the top 10 is as follows:

  1. Monkey D Luffy
  2. Roronoa zoro
  3. Sanji
  4. Trafalgar Law
  5. Portgas D. Ace
  6. Nico Robin
  7. We
  8. Sabo
  9. Boa hancock
  10. Shanks

The full rankings, along with rankings in each major region of the world, can be accessed through the official website. Next, Truth news Share the file or live video stream with you:

What is the One Piece poll about?

The official English website for the survey describes the project as follows: “Get ready, it’s time to vote! Who will you choose from the hidden treasure of the One Piece characters to be your ichiban, your number one? The chosen ones will gather in this very venue, each representing the unique values ​​and beliefs of fans around the world! “

The One Piece site adds the following: “The international sensation and the best-selling Japanese manga of all time, One Piece has reached another milestone with the publication of its 1000th chapter! We celebrate it by asking the world: Who is your ichiban! Choosing a single character won’t be easy … “

Apparently you can consider that your ichiban (favorite character) He is the strongest, the cutest or the kindest; Well, in the end, the choice is yours alone. To vote you must bring your phone or “even an envelope” according to the franchise team created by Eiichiro Oda.

You can still choose your favorite One Piece character

Voting will last until the end of February 28th (Japan Standard Time), and you can cast one vote per day, so there’s still time to make sure your favorite One Piece character moves up the rankings. This cut of results highlighted the charismatic Captain of the Straw Hat Pirates, Monkey D Luffy.

Get the latest details from the anime world. Follow us on Facebook and stay informed. Kill ne!

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Pokémon: what are the most wanted Pokémon on the net? Google responds

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The community of Pokemon is preparing to celebrate 25 years of the brand that was born from the mind of Satoshi Tajiri and become a reality thanks to the Pokémon Red and Blue video games, and awaiting all the news that The Pokémon Company, Game Freak and Nintendo must present during the weekend, Google has invited fans to discover some interesting facts.

As you can see from the post reported at the end of the news, the official GoogleTrends page on Twitter showed a graph showing the numbers related to the investigation of specific portable monsters, representing them in a kind of popularity contest that spans several years, from January 1, 2004 to the present.

Sure one could have expected Pikachu to be among the top positions, but the mysterious result achieved a surprising result. Celebi, which from 2006 to 2013 earned the title of Most Wanted Pokémon in the United States, before once again giving first place to Ash Ketchum’s favorite partner. Although they have been particularly stable over the years, you can see how Lugia’s popularity literally plummeted after 2012, giving way to Eevee, Charizard, Mer and Mewtwo. Then Google itself invited fans to look at other brand-related data.

Let’s remember that the Pokémon popularity poll has ended, and we leave you with a hilarious cosplay dedicated to the legendary Ho-Oh.

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Bokutachi no Remake anime reveals its first image

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On the official site for the animated adaptation of light novels written by Nachi Kio and illustrated by Erected, Bokutachi no Remake (Redo our life!), the first promotional image for the project was revealed, as well as production details and voice cast.

The series is scheduled to premiere this year while Nachi Kio and Eretto began publishing the light novels through the publishing label. MF Bunko J from the editor Media factory in March 2017. The play also inspires a manga adaptation of the hand of Bonjin Hirameki, which is published on the website Suiyoubi no Sirius from the editor Kodansha since November 2018.

Cast of you

  • Masahiro Itou as Kyouya Hashiba.
  • Aoi Koga as Aki Shino.
  • Aimi terakawa as Nanako Kogure.
  • Nao touyama as Eiko Kagasegawa.
  • Haruki Ishiya as Tsurayuki Rokuonji.

Production team

  • Tomoki Kobayashi (Akame ga Kill !, Infinite Dendrogram, Utawarerumono) is in charge of directing the anime at the studios Feel.
  • Nachi Kio (Ao no Kanata no Four Rhythm, Circlet Princess, Grisaia no Kajitsu) is in charge of writing and supervising the scripts.
  • Kousuke kawamura (Frame Arms Girl, Island, Taimadou Gakuen 35 Shiken Shoutai) is in charge of character design.

Synopsis of Bokutachi no Remake

Hashiba Kyouya is a 28-year-old developer. With his company bankrupt and consequently losing his job, he returns to his hometown. Observing the success of the creators of his time, he regrets the decisions of his life as he lay anguished in his bed. However, when Kyouya wakes up the next day, he discovers that he has traveled ten years in the past, before entering college. Can you finally get it right? This is the story of a person who failed in his dreams, but has had a second chance.

Source: Comic Natalie

© Nachi Kio / KADOKAWA / Our Remake Production Committee

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