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Everything that works and what doesn’t in the Netflix miniseries about the true story of the murderer Charles Sobhraj

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‘The Serpent’ is on its way to becoming one of the new Netflix sensations. Since its premiere on Friday, April 2, this co-production between the BBC and the streaming platform has been climbing positions among the most viewed on Netflix, probably the result of the fact that those who dared to give it a try have recommended it effusively enough in terms of to more viewers who are curious about it.

This eight-episode miniseries explores the true story of Charles Sobhraj, a cunning serial killer who took the lives of several people in the mid-1970s in Asia, posing as their identities every time he helped him escape justice. In fact, he came up with the nickname The Serpent to set that expertise free, while his modus operandi also earned him the nickname the Bikini Killer.

As expected, “The Serpent” not a literal adaptation of his adventures, since he takes certain liberties to better convey everything with the format to better define his personality. Next, we’ll go over everything that works and what doesn’t in this miniseries based on the fascinating case of Charles Sobhraj.

Everything that works

The choice of the ascendant Tahar rahim Giving life to Sobhraj is the first great success of the series, since the actor is especially inspired when it comes to transmitting that cross between enigma and constant threat in the character he has to give life to. It is true that in the purely physical the resemblance is more questionable, but the really important thing is to transform it in the psychological and there Rahim’s work is impeccable.

In addition, Rahim is very well accompanied by a very competent cast in which he also excels Jenna coleman, that some of you will remember for your participation in “Doctor Who”. Her character presents a double challenge, since on the one hand she has to convey that submission she feels towards Sobhraj but without ceasing to have her own entity, but it is also that she nails Marie-Andrée’s characteristic accent.

Nor do I forget that at all times it shows that those responsible for ‘The Serpent’ have had to have a large budget as a result of the collaboration between the BBC and Netflix, which leads to a generous use of exteriors and an irreproachable technical and artistic display to transport us back to the 70s. Everything is taken care of in detail, thus helping to immerse more in the story that it tells us.

However, the real icing on the cake is that the series knows how to turn Sobhraj’s story into an absorbing tale, adjusting what seems convenient to me, something that I noticed especially in the final episode, where personally I think that the changes introduced help to close the circle in a more satisfactory way and in line with everything we have seen up to then, from the way of proceeding of the Sobhraj in fiction fits perfectly.

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Finally, I would like to highlight the decision not to lengthen the story longer than it should. They could perfectly have wanted to extend it over several seasons, delighting in the personality of its protagonist. There was material to do it, but they wanted to bring it all together, offering a compact work that is always clear about what you are looking for, even when sometimes paying more attention to the supporting characters.

Everything that doesn’t work (very good)

More and more series are betting on dodge a linear narrative when it is not always necessary. In the case of ‘La Serpiente’ it would be unfair to say that it is a mistake to choose that solution, but on more than one occasion it does seem that it is unnecessarily complicating a story with enough force in itself not to abuse this resource. . And is that flashbacks are not always enriching and can serve more as a distraction.

The only other aspect in which I see room for growth for “The Serpent” is in the secondary characters. It is not that they are mere pawns in the story, but beyond the two protagonists and the diplomat who becomes obsessed with Sobhraj, yes that one is left wondering about them, something that in turn translates into that facet of almost the leader of a sect of The protagonist is not reflected forcefully enough. Sometimes you even take too much for granted.

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Two queens for Marvel: Olivia Colman and Emilia Clarke join ‘Secret Invasion’, the series about the Skrulls for Disney +

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‘Secret Invasion’ just added two queens and I think we can already talk about one of the most interesting projects of Wonderful. Olivia colman, monarch in “The Favorite” and “The Crown”, and Emilia clarke, the queen of “Game of Thrones”, are about to join the series that Marvel Studios is preparing for Disney +.

The two actresses would join a cast that already includes Samuel L. Jackson, Ben Mendelsohn and Kingsley Ben-Adir. Let’s remember that Mendelsohn was already presented as the Skrull Talos in ‘Captain Marvel’, where he coincided with Jackson giving life to a younger version of the Nick Fury that we had seen until then (the film took place in the 90s).

Guide to the Marvel Universe on Disney +: how to watch in chronological order 'Scarlet Witch and Vision' (WandaVision), 'Falcon and the Winter Soldier' ​​and all the films and series of the MCU

As for Kingsley, Ben-Adir (not to be confused with veteran Ben Kingsley) is playing the villain, but no details about the character have been revealed. I’d bet on a crazy Skrull leader who wants to win back the honor of his people and conquer Earth to make it his new home.

There is also no information on the story beyond that it revolves around the Skrulls, a race of aliens who change in a way have been using their abilities for years to infiltrate Earth. This may explain the strange behavior of some celebrities …

“Secret Invasion” is written by Kyle bradstreet And, at the moment, it does not have a release date but it is expected to be ready by 2022.

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Square Enix Says Company Not For Sale Following Acquisition Rumors

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Square Enix has said it will not consider selling the company, and has not received any offers after a report indicated that “multiple” potential buyers were interested in an acquisition.

CTFN reported that two bankers had indicated that several potential buyers were interested in buying the developer / publisher behind Final Fantasy and Outriders. The news was subsequently reported by Bloomberg Japan, prompting Square Enix to respond.

“Bloomberg reported today that there is interest from various buyers in acquiring Square Enix,” a press release reads. “However, this report is not based on any announcement by Square Enix Holdings Co., Ltd. We do not consider selling the company or any part of its business, nor have we received any offer from a third party to acquire the company or any part of its business. deal. “.

Of course, both sides of this story may be true: There may well be Square Enix stakeholders, and Square Enix may not be willing to sell the company. That said, analyst David Gibson pointed to the idea that they could be bankers trying to “boost business” at Square Enix.

To back Gibson’s idea, Bloomberg later reported that Square Enix shares rose 12% after the report was released, its biggest rise in eight months.

Video game acquisitions have been big business recently. In fact, in the last year alone, Microsoft bought ZeniMax Media for $ 7.5 billion. For its part, Epic Games bought Mediatonic (Fall Guys) and EA acquired Codemasters after Take-Two showed interest in the developer.

What’s more, Japan has been seen as the natural next step for some of the major gaming companies. And Xbox CEO Phil Spencer recently denied the idea that Microsoft was in contact with various developers in Japan for possible acquisitions. On the other hand, Sony has had to counter the idea that the company is bypassing Japan, although we have recently seen the historic Japan Studio reorganize the company this year, causing a massive exodus of developers.

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Amazon cancels MMORPG Lord of the Rings after dispute with Tencent

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An Amazon spokesperson confirmed that following Tencent’s acquisition of Leyou, “they have not been able to secure the terms to continue with this title at this time.” Amazon has canceled its MMORPG game set in The Lord of the Rings that was originally announced in 2019.

As reported by Bloomberg, Amazon Game Studios was developing the game with Leyou Technologies Holdings Ltd, a Chinese studio that was bought by Tencent in December 2020.

Negotiations between Amazon and Tencent have sparked a dispute that has ended resulting in the cancellation of the game.

An Amazon spokesperson confirmed that following Tencent’s acquisition of Leyou, “they have not been able to secure the terms to continue with this title at this time.”

The development team will be moving to other projects, and Amazon shared its disappointment at not being able to carry out this ambitious project.

“We love the Lord of the Rings franchise and are disappointed that we are unable to bring this game to fans,” said an Amazon spokesperson.

This game joins Breakaway and Crucible as other projects canceled by Amazon Game Studios, which in turn was the subject of another Bloomberg report detailing the dysfunction and struggles the studio has been grappling with in the recent past.

Amazon is still working on an MMORPG in development called New World, although so far it has been subject to several delays and is now scheduled to launch next August 2021. We were able to test New World a few months ago and we will tell you what this ambitious looked like draft.

For fans disappointed by this cancellation, they should know that Turbine’s Lord of the Rings Online is still running and they can still look forward to the series that Amazon is developing for Prime Video, in addition to the Lord of the Rings: Gollum game that is. also outside. Developing.

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